“C to you”: Bertrand Chameroy parodies Stromae and provokes general hilarity – OZAP

“I watched the ’20 Hours’ of La Deux yesterday, I’m not very proud of it“. In his first” ABC “of the week, Bertrand Chameroy, high bun fixed at the back of the head, had fun parodying the words of” l’Enfer “, new title of Stromae that the Belgian singer has interpreted in a highly commented sequence shot, Sunday January 9 on the set of TF1’s “20 Hours” In this way, the artist answered a question about her depression, asked by journalist Anne-Claire Coudray.

“I had to be alone on my sofa in front of La Deux”

After a much more down to earth question asked by Anne-Elisabeth Lemoine – “Did you have a good weekend Bertrand?“- the columnist of” C à vous “on France 5, gazing into the camera and back to the table, began:”I had to be alone, really the only one on my sofa in front of the Two and opposite how many were there? Manysang the chronicler in a bright atmosphere and a style of the most solemn. The sequence of this beginning of the year, well I just missed it, everyone is talking about it but I missed it because yes, I watched the ’20 Hours’ of France 2 yesterday, I am not very proud but Delahousse’s brushing was really great …“, he stopped short to the applause of his hilarious colleagues.

“I watched Gilles Lellouche at Laurent Delahousse because I only watch the channels of the France Télévisions group“, he resumed, wishing in passing a”good year“to Delphine Ernotte, the boss of the public audiovisual group.”Very corpo“, underlined Patrick Cohen. puremedias.com invites you to watch this sequence.

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Bertrand Chameroy therefore chose humor to treat Stromae’s performance at TF1’s “20 Hours”. A sequence recorded the day before its broadcast which gave birth to a questioning: a communication operation, as successful as it is, does it have its place in an information edition. Edged, “The Obs” and “Liberation” expressed their embarrassment.

“The Belgian singer has blurred what remains of benchmarks between information and entertainmentwriting “The Obs “the day after the artist’s performance. Suddenly, we are no longer on the television news set, we are propelled into a Jacques Demy film! Bad, the film (…) We are not in front of ‘The umbrellas of Cherbourg’! We are supposed to attend the ’20 Hours’ of TF1, presented by a colleague with a press card“.”Marianne” speak “editorial abdication of the front page“,”Release“, don’t get angry either:”With his well-crafted promotional stunt in the newspaper La Une Sunday evening, the star singer and the editorial staff are further confusing the tracks of infotainment“.

Asked about these criticisms by our colleagues from “20 minutes“this Monday, Anne-Claire Coudray eludes.”This is not a subject“, she retorts.”Frankly, the criticism of infotainment … We weren’t in that at all, Sunday night. We were in a moment of truth, which has its place in a television news“. In his “Media editorial“On France Inter, Sonia Devillers, for her part, took sides this Tuesday for her colleague from TF1.”In a period where the slightest doubt about the slightest sequence makes the conspirators and fact-checkers who answer them go wild, playing with the codes of the news is to trust the viewer, his culture of the image, to his understanding of information, his lucidity in the face of an artist in promotion“.

“I had to be alone on my sofa in front of La Deux”

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