Scala, all the looks of the Prima

Total black, aftermath, a riot of velvet and black, with touches of gold and emerald green but also tuxedos (for him) and some headlines (and style) that certainly did not go unnoticed. All the Milan that matters has ‘paraded’ tonight at the Premiere of ‘Macbeth’, which inaugurated the opera season at the Teatro alla Scala, under the baton of maestro Riccardo Chailly, on the day of Sant’Ambrogio. And if this year sobriety among the institutions dominated, with the President of the Senate, Maria Elisabetta Alberti Casellati, who crossed the Piermarini in a dark coat edged with gold, and the ministers in dark tuxedos, the same cannot be said for the eccentricity of the outfits flaunted by the wealthy ladies of Milan that counts and by the varied and colorful worldliness gathered at La Scala. More sober than a few years ago (when Daniela Santanchè let rivers of ink flow for her over-the-top total green look and Alfonso Signorini for her fiery red cloak-cape), but no less showy, the ladies invited to the Premiere did not made a crease. As for the tulle dress in shades of purple, red and blue sported by a very elegant Chiara Bazoli, Milanese first lady, who stole the show from fur-lined ladies wrapped in evening dresses with her Armani Privé. The ex-model and Giorgio Armani muse Antonia Dell’Atte, wrapped in an emerald green dress by Angela Bellomo, also called to herself the flashes of the photographers. After all, there was no set in the foyer that could hold up the comparison. Among the style strokes, also that of the aesthetic surgeon Dvora Ancora, who walked through the doors of the Piermarini in a nude look dress of sequins and sequins, complete with a tiara signed by Antonio Riva. The header? On the décolleté Dvora wrote her name with a red lipstick, recalling the blue writing ‘no fur’ by Marina Ripa di Meana years ago. Among the most elegant looks are those of the model and actress Greta Ferro, in a black velvet creation by Armani Privé and of the supermodel Barbara Palvin in a sparkling silver Armani Privé. The same ‘King’ Giorgio, on the other hand, arrived at the theater accompanied by his granddaughters Roberta and Silvana, wearing a black velvet tuxedo and the medal of a knight of the great cross pinned to his chest. Nourished the patrol of guests who, in addition to the masks on the face of rhinestones and sequins, showed off jewels from a thousand and one nights. Few in this December 7 have preferred to orient themselves on Valentino red, touches of gold, and brushstrokes of milky white while some kimonos, sequins, feathers and crystals have also appeared from the boxes. She chose black Laura Mattarella, the president’s daughter, dressed in Armani. The looks of Alessandro Cattelan in total black Armani and his wife Ludovica Sauer, very elegant in a black velvet suit with rhinestone sleeves, also signed by Armani, were also promoted with full marks. Also noteworthy is the look of the ultra glamorous couple formed by Luca Argentero and his wife Cristina Marino, both dressed as King George, she wrapped in a dress with a sweetheart neckline, stole and diamond choker, he in a tuxedo. Among the most elegant looks also that of the wife of former superintendent Pereira, Daniela De Souza, in a lilac dress. And among exaggerated fur collars, vertiginous heels, lace, sequins and mind-boggling jewels, on this cold early December evening the old saying seems valid, pronounced by those who have dressed several ladies tonight: the important thing is not to be noticed , but remember. Word of Giorgio Armani.